EXHIBITIONS

OVERLOOKED

TCU EXHBITION:
Fort Worth,Texas - 2025

Overlooked Installation exhibits 62 by Natalie Macellaio

Side Of Fence
2025

Overlooked Installation exhibits_48 by Natalie Macellaio

Fence Shadow
2025

Overlooked Installation exhibits_3bags-5-7 by Natalie Macellaio

3bags 5
2025

Overlooked Installation exhibits fence-climb- by Natalie Macellaio

Fence Climbing
2025

Overlooked Installation exhibits_guarding-20 by Natalie Macellaio

Guarding Collections
2025

Overlooked Installation exhibits_guarding-20 by Natalie Macellaio

Guarding More
2025

Overlooked Installation exhibits_climbing,sprawing by Natalie Macellaio

Climbing, Sprawing Set
2025

Overlooked Installation exhibits_hanging on to what's left by Natalie Macellaio

Hanging On To What's Left
2025

Overlooked Installation exhibits_hanging on to what's left by Natalie Macellaio

Hanging On
2025

Overlooked Installation exhibits_hanging on to what's left by Natalie Macellaio

Orange Bag Caring
2025

Overlooked Installation exhibits_meandering by Natalie Macellaio

Meandering
2025

Overlooked Installation exhibits_meandering by Natalie Macellaio

Seeing Through The Lines
2025

Overlooked Installation exhibits_meandering by Natalie Macellaio

Stacked
2025

Overlooked Installation exhibits_weighting by Natalie Macellaio

Weighting
2025

Overlooked Installation exhibits_fence and posts by Natalie Macellaio

Fence And Posts
2025

Overlooked Installation exhibits_fence and posts by Natalie Macellaio

Fence And Foliage
2025

Overlooked Installation exhibits_fence and posts by Natalie Macellaio

3 Bags Perched
2025

In Overlooked, I turn my attention to the mundane, the peripheral, and the ignored elements of our built environment-materials and forms so ubiquitous they often escape notice. From construction barriers to sandbags, I reimagines the visual language of infrastructure through meticulous, labor-intensive craft processes that challenge our perceptions of utility, value, and visibility. I draw from the transitional chaos of construction sites, translating temporary safety structures into wearable forms and sculptural installations. My hand-fabricated jewelry and wall pieces highlight the material poetics of chain-link fences, signposts, and rebar-objects that exist on the margins of daily experience. My work recasts the overlooked into objects of contemplation, curiosity, and critique, reminding us that the invisible infrastructure of modern life is anything but neutral.


EXHIBITIONS

REIMAGINE

THE NATIONAL ORNAMENTAL METALS MUSEUM in Memphis,TN

ana-lopez and ana-lopez-and-natalie-macellaio exhibit

Natalie and Ana - Reimagination Installation
2023

reimagine exhibit 5

Reimagine 5
2023

reimagine exhibit 7

Reimagine 7
2023

reimagine exhibit 11

Reimagine 11
2023

reimagine exhibit 15

Reimagine 15
2023

reimagine exhibit 18

Reimagine 18
2023

reimagine exhibit 21

Reimagine 21
2023

reimagine exhibit 28

Reimagine 28
2023

reimagine exhibit 29

Reimagine 29
2023

The National Ornamental Metals Museum in Memphis,TN, hosted Natalie Macellaio and Ana Lopez, with their exhibition titled -"Reimagine" in 2023. Natalie's large metal fence-gate installation is a permanent exhibit.


EXHIBITIONS

TEXAS SCULPTS

Plano, Texas - 2023

Full Plano installation exhibit

Full Plano Installation
2023

Full Plano installation exhibit

Bags and Fences Piling Up -Full
2023

bags and fences piling up -detail 1

Bags and Fences Piling Up Detail-1
2023

bags and fences piling up -detail 2

Bags and Fences Piling Up Detail-2
2023

bags and fences piling up -detail 3

Bags and Fences Piling Up Detail-3
2023

bags and fences piling up -detail 3

Bags and Fences Piling Up Detail-3
2023

breaking-through-fence-and-weeds-detail

Breaking Through Fences and Weeds Detail
2023

breaking-through-fence-and-weeds

Breaking Through Fence and Weeds
2023

row of clover :detail

Row of Clover Detail
2023

row of clover:bags-and-fences-piling-up-detail2

Row of Clover Full
2023

wire bags

Wire Bags
2023

Natalie Macellaio's "Texas Sculpts" exhibit of work looks into the construction and deconstruction of her environment. She is drawn to the repetition, scale and materials that are used to reshape the landscape with highways, buildings and bridges. She is particularly interested in the construction of our infrastructure, which allows us to move more quickly from one place to the next in greater distances and in greater numbers. The temporary boundaries and internal structures that make these massive highways and bridges are prominent in our visual landscape while the construction is happening and just as quickly as they appear, they are gone. The discarded fences and hidden grids draw on her need for order around the chaos. She uses this imagery to reconstruct jewelry, sculpture and 2D works of art. She changes the perspective, scale and materials of these massive structures in order to make them her own through the processes of printmaking, 3D printing, casting, laser cutting and traditional fabrication techniques.

This body of work is a reflection of the urban landscape I live in. The constant destruction and reconstruction of the physical world has made seeing safety fences, cinder blocks, and rebar grids common place but always from the seat of a car. I rescale and change the perspective of these objects to reframe their context, turning a 1 ton construction wall into a brooch, an orange safety fence into a wall sculpture, a 40 foot rebar and concrete trestle into fine jewelry. Silver, copper, concrete and steel are implemented to create these intimate and detailed structures.


WORK

CONSTRUCTION JEWELRY

phyllida barlow necklace detail jewelry by Natalie Macellaio

Phyllida Barlow Necklace Detail
2020

phyllida barlow necklace full jewelry by Natalie Macellaio

Phyllida Barlow Necklace Full
2020

chainlink fence wrap ear jewelry by Natalie Macellaio

Chainlink Fence Wrap Ear
Jewelry 2020

construction sign legs sign jewelry by Natalie Macellaio

Construction Sign Legs Sign
Jewelry 2020

crumpled jewelry by Natalie Macellaio

Crumpled
2021

revealed jewelry by Natalie Macellaio

Revealed
2021

chainlink fence flat earrings jewelry by Natalie Macellaio

Chainlink Fence Flat Earrings
Jewelry 2023

wrapped up fence pin jewelry by Natalie Macellaio

Wrapped Up
2022

Construction sites fascinate me. I try to remember what once was there while also trying to guess what will come. The bright colors of the caution signs, sand bags and safety fences are put up to grab our attention, warn us of change. It's hectic, slow, and messy. Once it is done, all that is left is the clean and perfect space, bending in with the rest of the environment. With this construction jewelry, I try to capture a small vignette to remember the temporary chaos before order sets back in.


WORK

Construction Sandbags

sandbag cluster sculpture by Natalie Macellaio

Bag Cluster
2022

holding down by Natalie Macellaio

Holding Down
2022

holding down detail by Natalie Macellaio

Holding Down Detail
2022

sandbags-b by Natalie Macellaio

Sandbags-b
2022

bag cluster by Natalie Macellaio

Sandbags 2
2022

sandbag cluster sculpture by Natalie Macellaio

Bag Cluster
Sculpture 2022

The orange construction sandbags are used to hold down construction signs. Necessary, temporary, seen, then discarded. Their anthropomorphic forms draw me in every time I pass them by. Some bags seem to be holding on with what little sand is still inside, while others are left on the side of the road, still full, but holding down nothing.

Transforming the bags into copper allows me to see them in a more intimate way, they become stronger, more structural, permanent, but useless. These hollow bags are shells of what they represent, and rather than have a function they are focused on form.


WORK

Construction Fences (drawings)

construction fence by Natalie Macellaio

Construction Fence A
2022

construction fence by Natalie Macellaio

Construction Fence B
2022

construction fence by Natalie Macellaio

Construction Fence C
2022

construction fence by Natalie Macellaio

Construction Fence D
2022

I am always looking at fences, through fences, around and above them. I think about what they are blocking, protecting, separating, barricading and what it would look like if they weren’t there. In an effort to make them blend into the environment with an open weave of steel wire or make them stand out with a bright safety orange color so you don’t injure yourself, I look at their repetition, form, and placement.

In these drawings, I take them out of their original context and use them as forms to layer, stretch, manipulate color and scale to see what similarities and differences they each have.


WORK

Construction Cinderblock

cinder block building block crush by Natalie Macellaio

Building Block Crush
2021

cinder block building block necklace by Natalie Macellaio

Building Block Necklace
2021

cinder block earrings by Natalie Macellaio

Cinderblock Earrings
2021

cinder block cluster by Natalie Macellaio

Construction Cluster
2021

cinder block stack by Natalie Macellaio

Cinderblock Stack
2021

cinder block construction cluster 1 by Natalie Macellaio

Cinderblock Cluster-1
2021

Cinderblocks, something heavy and usually hidden, become the center of attention in these pieces. Recreating the cinder blocks in silver and presenting them as jewelry changes our perception and how we value the mundane. The forced perspective of the blocks make them appear bigger than they actually are, in the same way we value diamonds, bigger they appear.


WORK

RESIN and METAL

bump-4 resin and metal sculpture by Natalie Macellaio

bump-4 | metal and resin 2008

bump-4 detail resin and metal sculpture by Natalie Macellaio

Bump-4 (detail) | metal and resin 2008

bulge, resin and metal sculpture by Natalie Macellaio

Bulge | metal and resin 2008

bulge crawl, resin and metal sculpture by Natalie Macellaio

Bulge Crawl | metal and resin 2008

bulge crack, resin and metal sculpture by Natalie Macellaio

bulge crack | metal and resin 2008

roach study, resin and metal sculpture by Natalie Macellaio

roach study | metal and resin 2008

boiling over, resin and metal sculpture by Natalie Macellaio

Boiling Over | metal and resin 2007

In this series of works I am interested in exploring the relationship between the physical properties of resin and metal. I am interested in the plasticity of metal as it responds to the resin visually is in direct contrast to the actual properties of the materials. The rigidity of the metal also forces the resin to form around, bulging through and sometimes spilling over the forms to emphasis the contrasting materials. The push and pull of materials continues to interest me and push the properties of both materials to their limits.


photo of the artist, Natalie Macellaio

nataliemacellaio@gmail.com

Follow Natalie on INSTAGRAM

Natalie Macellaio grew up in the Chicago area and moved to Texas to receive her Masters of Fine Arts from the University of North Texas in Jewelry and Metalsmithing. She is the Professor of Art at Dallas College. Her work has been featured in galleries across the country.
Natalie and Leslie Robertson co-created,"THE MOTHERLOAD", an international project which includes over 100 "mothers-who-are-artists", from 8 countries, and was exhibited at the Dallas Museum of Art in 2014 and the Hannah MacLure Centre in Dundee, Scotland in 2016.
The National Ornamental Metals Museum in Memphis,TN, hosted Natalie and Ana Lopez, "Reimagine" in 2023, where Natalie's large installation is a permanent exhibit.
Natalie lives in Plano,TX with her family.

NATALIE MACELLAIO

METALSMITH

My work marries a functional, aesthetic, and conceptual approach to metal. I work with concepts of adornment to create works that use the body to engage in conversations that draw directly from her personal life.

I was trained as a jeweler years ago, which brought me to understand the intricacies of creating work that is personal to each person wearing it and expresses parts of their life. The choice to work with precious metals has been because of their inherent strengths and weaknesses. I value silver, both for its culturally relevant quality and for its beauty. I employ copper for its strength and abundance. I am, after all, interested in creating something beautiful and desirable.

As I continue to explore these personal narratives through these metals, themes that relate to my life as a mother begin to come through. My initial interest in small, intimate works, is finding a new source of expression that allows me to create intimate pieces that explore the relationships I have to my children.”